Jaw runs 124 minutes. The title character does not appear on screen until minute 82.

This was less a bold artistic decision on director Steven Spielberg’s part than a matter of necessity; The production’s mechanical shark, affectionately known as “Bruce,” never worked. Every evening, Spielberg gathered his cast and creative team in his bungalow on Martha’s Vineyard and planned the next day’s filming based on what he thought Bruce – and the fickle ocean weather – would allow.

Many took part Jaw I thought the film would be as disastrous as the filming itself. But Spielberg managed to use its technical limitations to his advantage. His strategy: keep Bruce off the screen and use what the audience can’t see to capture their imagination with suggestive editing and camera angles, as well as John Williams’ brooding score.

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READ MORE: Every Steven Spielberg film ranked from worst to best

A similar structural move is currently being used at Broadway’s Golden Theater in a highly entertaining production of the play The shark is broken. You could describe the show as a chronicle of the making Jaw. But how Jaw himself, The shark is broken leaves a lot to the audience’s imagination.

The entire piece is based on an impressive replica of the Orca, the ship piloted in the film by the grey-haired fisherman Quint (played in Jaw by Robert Shaw), the marine biologist Hooper (Richard Dreyfuss) and police chief Martin Brody (Roy Scheider). A large video wall behind the boat shows the Atlantic; as The shark is broken begins, the title comes true, with the unmistakable silhouette of the great white shark threateningly making its way through the water until it sparks and spurts out. (The production was designed by Duncan Henderson, with projections by Nina Dunn.)

From this point on, Bruce is never seen again. Very little of the actual production of Jaw appears either. Instead, the 90-minute piece focuses on what actors Shaw, Scheider and Dreyfuss did between takes aboard the Orca. Mostly, they discuss their different philosophies on acting and celebrity, compare their childhoods, and recreate a few select behind-the-scenes clips of famous actors Jaw Lore – like the incident recounted in interviews by the real Richard Dreyfuss when Shaw challenged him to a push-up competition.

Spielberg himself is not a character, although his voice calls out to the actors in recreated scenes Jaw The most famous sequence that doesn’t involve a great white shark: Quint’s story about his survival after the destruction of the USS Indianapolis, which dropped the atomic bomb dropped on Hiroshima and was then sunk by a Japanese submarine. Because the bomb was top secret, the Indianapolis’ voyage was top secret, meaning it took days for the survivors to be rescued – and by that time, dozens of American sailors had already been eaten by sharks.

Comparing the images of Robert Shaw above with the images of “Robert Shaw” in The shark is broken This article reveals the striking similarity between the two. That’s because Robert Shaw is portrayed in the play by his real-life son Ian Shaw, who was also a co-author The shark is broken with Joseph Nixon. The younger Shaw discovered his father’s diary in 2017 and began to reflect on the fact that he was around his father’s age – and a scary physical sight for him – when he made it Jaw. He developed this show, which ran at the Edinburgh Fringe Festival and in the West End before arriving on Broadway.

Ian Shaw has created a powerful tribute to his father, although not a one-dimensional one. The Robert Shaw of The shark is broken is a confident film actor and a gifted author – but also a tempestuous alcoholic and a tyrant. His behavior can go from cheerful prankster to angry bully in an instant. In The shark is brokenIn his most striking visual moment, he stands at the bow of the Orca during a raging thunderstorm, watching the gusts in the distance. At least in Ian Shaw’s vision of him, there is no great divide between Robert Shaw and the imposing and slightly mad Quint, who suffers no fools and has clearly been broken in fundamental ways by a traumatic past.

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Robert Shaw’s goal rages The shark is broken is Dreyfuss, portrayed with exceptional fidelity by Alex Brightman, best known on Broadway for his leading roles in several other recent film-related shows: Beetlejuice And School of Rock. As Dreyfuss, Brightman is hilarious, annoying, quick-witted, neurotic, possibly addicted to cocaine, and the ideal foil to the older Shaw, representing a very different generation of actors and a very different approach to acting. (“Mind your manners!” Shaw warns Dreyfuss just before the cameras shoot a scene.)

Brightman’s Dreyfuss begins as The shark is brokenis comic relief, but his performance really intensifies in the second half of the play and becomes something much more than just a good imitation of a famous actor. (The third and by far the least noticeable member of the trio is Colin Donnell as Roy Scheider, the group’s mediator and peacekeeper.)

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The shark is broken relies a little too much on ironic statements about the future; Set in 1974, Robert Shaw all too accurately predicts a cinematic future that will consist only of sequels and remakes. At the same time, he insists that in 50 years no one will remember the little shark movie they’re making. Such explanations occur again and again. One or two would have been wise; Half a dozen feels a little too sweet.

This doesn’t stop The shark is broken no longer indispensable for every fan of Spielberg’s legendary thriller. That damned mechanical shark was a technical disaster – and yet it didn’t just set the stage for it Jaw to make it a classic, it now provided the raw material for this very funny and moving piece.

VHS tapes sold for shocking sums

These VHS tapes recently sold for hundreds of thousands of dollars.

Source : screencrush.com

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