Civil War filmmaker Alex Garland recently discussed how certain reactions to his 2024 film influenced his creative decisions for his next project, Warfare. Despite achieving an 81% approval rating on Rotten Tomatoes from critics and becoming A24’s second most successful film by earning $127 million worldwide, just trailing behind Everything Everywhere All At Once at $143 million, Civil War did not connect with the general public as strongly, evidenced by a 69% rating on the Popcornmeter. Nevertheless, these mixed reviews did not deter Garland from continuing to explore the war theme in his latest release, Warfare.
In an interview with The Playlist, Garland revealed how feedback on Civil War shaped his direction for Warfare, which debuted this weekend. He commented on the polarized reception of the 2024 film’s ambiguous elements, discussing industry gatekeeping. He pointed out that certain sectors doubted the audience’s ability to comprehend complex themes, stating that this skepticism underestimates the viewer’s interpretive skills. Below is his complete statement:
There was a time when you had to maneuver around studio restrictions. Studios believed they were the arbiters of what audiences could grasp. This kind of gatekeeping has now shifted to other areas. They imply that audiences aren’t smart enough to understand. It’s condescending. We present our work to adults who are perfectly capable of forming their own opinions.
What the Audience and Critical Reception Means for Garland’s Films
Ray Mendoza & Garland’s Warfare Offers a Robust Rebuttal to Criticisms of Civil War
An examination of the Rotten Tomatoes scores for Garland’s films indicates that critics generally appreciate his work more than general audiences do, with his prior three films before Warfare receiving considerably lower scores from the latter group. This disparity may be attributed to the ambiguous nature of his narratives, which tends not to sit well with viewers who prefer more straightforward storytelling. In response to Civil War, which many said mirrored America’s current political climate, Garland’s approach seemed non-political, which might have alienated some. Below is a comparison of how Garland’s films fared among critics and audiences according to Rotten Tomatoes:
|
Title
|
Rotten Tomatoes Critic Score
|
Rotten Tomatoes Audience Score
|
|---|---|---|
|
Ex Machina
|
92%
|
86%
|
|
Annihilation
|
88%
|
67%
|
|
Men
|
69%
|
40%
|
|
Civil War
|
81%
|
69%
|
|
Warfare
|
94%
|
93%
|
Warfare launched to critical acclaim, securing a 94% rating from critics and a 93% from audiences, both scores surpassing those of Civil War, with the latter achieving Garland’s highest audience score on the platform to date. According to ScreenRant, the film’s concise script and focused narrative provided the clarity that audiences sought in Civil War. The initial reception suggests that Warfare is a commendable counter to the criticisms faced by Civil War, with Garland’s co-direction adding a refined visual and thematic depth to the film, ensuring that its intense scenes are impactful but not excessive.
Evaluating Alex Garland’s Reactions to the Feedback on Civil War
Garland’s 2024 Film Achieved What He Intended
Garland’s films immerse audiences in ambiguity, fostering space for personal interpretation, an aspect I deeply enjoy in cinema. His works are designed to provoke thought and discussion, with various theories and questions emerging post-viewing. The very critiques that Garland addressed following Civil War are, in my view, what make his films so compelling. Warfare stands as a straightforward contrast to Civil War, capturing the rawness of war and the close bonds within a platoon in a more direct manner. While I appreciate both films, I believe the explicit depiction in Warfare was not necessary, even though it was executed well.

Ava Thornton is an entertainment journalist with a keen eye for the latest in Hollywood, indie films, and streaming trends.
Her work blends insider knowledge with a deep appreciation for storytelling.



