After the phenomenal success of KPop Demon Hunters, one of the film’s major contributors discusses potential directions for the franchise’s future. Released in June 2025, KPop Demon Hunters quickly became Netflix’s most-viewed film ever, its soundtrack dominated the charts, and it earned $19 million from a limited theatrical run.
At the conclusion of KPop Demon Hunters, characters Rumi (played by Arden Cho), Mira (May Hong), and Zoey (Ji-young Yoo) reconcile and successfully seal the Honmoon, presumably returning to their lives as K-pop idols—with perhaps fewer demons to battle. Yet, the film leaves room for a sequel, particularly with unresolved issues such as Rumi’s demonic ancestry and the history of previous hunters.
In an interview with ScreenRant, Michael Babcock, who served as the sound designer, supervising sound editor, and re-recording mixer for KPop Demon Hunters, expressed that for the sequel, a darker tone akin to “The Empire Strikes Back” might not be necessary, suggesting a “warmer” direction instead of the typical darker approach seen in many sequels.
Co-directors Maggie Kang and Chris Appelhans are anticipated to helm the next installment, with ongoing discussions between Netflix and Sony about the sequel and potentially further projects. Babcock shared his excitement and curiosity about future developments, assuring that the team will maintain their originality and not just follow conventional formulas.
Read the complete remarks from Babcock below:
Michael Babcock: I’m really eager to see what Maggie and Chris will come up with next. They’ve crafted a truly unique narrative that can be taken in many directions. I don’t think we necessarily need a darker sequel like The Empire Strikes Back for KPop 2. It’s interesting to consider whether we can delve deeper into this world without going darker.
What stands out about their storytelling is that it’s often easier to create a darker narrative. It’s more creative to take a warmer approach. I’m curious if they can further explore this universe, perhaps involving the fans in a new way. The way fans interacted with the film added a unique layer that really resonated with people.
From a sound perspective, working with crowds and chants is always exciting and adds an emotional layer to the experience.
ScreenRant: That’s a great point. It does seem more challenging to craft something endearing rather than frightening, which speaks to the strength of this film.
Michael Babcock: They have the opportunity to try something unexpected, which has been a hallmark of this project. And the success they’re seeing can only boost their confidence to explore new creative avenues. I can confirm that Chris and Maggie are keen on keeping their unique approach.
Implications of Michael Babcock’s Insights on KPop Demon Hunters 2
KPop Demon Hunters 2 might explore themes involving fans more deeply, although delving too much into fan culture risks altering the genuine depiction seen in the first film. Alternatively, a “warmer” sequel could be an intriguing and fitting expansion for the series.
Sequels often gravitate towards darker themes to elevate the stakes. KPop Demon Hunters already skillfully balances whimsical, lighthearted tones with serious themes, so maintaining this balance while expanding the narrative would be a remarkable achievement.
While Babcock has limited knowledge of the specific plans for the sequel, his insider perspective reassures fans that the franchise aims to continue its distinctive approach. Importantly, Kang and Appelhans are committed to avoiding clichéd sequel tropes.
Our Perspective on the Sound Designer’s Comments about KPop Demon Hunters 2
Like Babcock, many fans are likely confident in the original creators of KPop Demon Hunters to deliver a compelling sequel. Kang’s long-term development of the concept before its realization is evident in the first film, suggesting that she has extensive plans for the universe that couldn’t be fully explored in the initial movie.
The inspiration evident in the first film sets a high standard for its sequel, which seems poised for a natural progression. Babcock’s comments indicate that the creative team is enthusiastic about returning, ready to bring their unique vision to audiences worldwide once again.
Ava Thornton is an entertainment journalist with a keen eye for the latest in Hollywood, indie films, and streaming trends.
Her work blends insider knowledge with a deep appreciation for storytelling.
